Tuesday, October 27, 2015
OK, it's the pilot, even the best TV shows started off with clunky, exposition-laden pilots.
They borrowed a lot from the first Superman film: First rescue that of being a loved one on an aircraft, the scene where everyone gets chewed out by the boss who says: Get me an interview!, the villain using high frequency radio signals to contact the hero. But, fine, the airplane rescue was worth the price of admission. (I love the part where she's flying upside down, carrying the plane and she sees an approaching bridge, and grumbles, "Oh come on!" The pilot needed more moments like that.
It's what happened after the rescue when things got dodgy: Her sister comes to scold her for saving her life, and to not do it anymore? It's explained later the sister is part of a top-secret alien-hunting task force, which makes it only slightly less hard to swallow. And the sister's boss scolds her too, telling her to knock it off. There's a lot of scolding going on.
She's as powerful as the sun, and no one thinks she's capable???!! A big stretch.
It needs to be a little more like the Flash, or Buffy the Vampire Slayer, their support teams like the hero .. and furthermore are a lot of fun to hang out with. There was little fun with this crowd.
Especially Jimmy Olsen whose job it is is to be dreamy looking and tell her what her cousin would say if he were here. Do we need that? If it were so important let him tell her himself!
This was a problem with the Supergirl film, also. They always talked about Superman in reverent tones, but unless he actually shows up, who cares? That's what I liked about Power Girl, when she was introduced she wanted to distance herself from her cousin. (They borrowed the Kara-getting delayed-for-decades-on-her-way-to-earth conceit from Power Girl, which was a good thing, as well as the concept of Kara being tasked with being Kal-El's babysitter. Great idea.) Not such a great idea: Pep talks from hologram mom.
I'm not sure we need Calista Flockhart. The outright theft from "The Devil Wears Prada," is too incompatible with the long-underwear aspects of the show. Jackie Cooper was probably the best at being the unhinged boss.
The overall concept: We got lots of intergalactic prison escapees! That could work in a Buffy-in-the-Hellmouth way. I'm not sure about their leader being her aunt. Why?
I'm sure we'll see more of Dean Cain and Helen Slater as her earth parents. In the comics, Superman just dropped Kara off at an orphanage. That Superman is cold!
Bottom line: This could be a lot of fun, like the Flash, if they could tone the scolding down a little.
Addendum: As my 8-year-old pointed out: "National City? That's not even in the DC Universe. And he's right, I was thinking such an unusual name for a city, especially one made up for a TV show that is not in the original DC Comics. Then later I realized my answer was in the question: National was DC's name through the 40s to late 70s. Doh! Very clever Supergirl producers!
Sunday, October 4, 2015
Man, even less plot than the first one.
Adam Sandler's vampire doesn't want his daughter and grandson to move away.
Yup, that's it.
The rest of it is monster jokes from the Munsters. Ninety minutes of monster jokes from the Munsters, and the Rankin-Bass "Mad Monster Party."
There is one funny joke. The GPS with the voice of Peter Lorre.
The rest of time, I pressed the recline button on the fancy new theater seats and closed my eyes.
My 8 year old liked it.