The reviews have called it a breakthrough for Pixar, but no. It's good, but it borrows from so many other sources I'm not sure why film reviewers are astonished by its originality.
All of the "Toy Story" movies have the same plot and the same theme.
The plot: "We have to get back home!"
The theme: Leaving behind your childhood is the most painful thing you'll do.
"Inside Out" borrows both of these concepts.
The only real difference is in the "Toy Story" films we follow the toys going home in the real world. In "Inside Out," they're going home in a surrealistic world, a place where there's an actual "train of thought," and "graveyard" for old memories. I kept thinking about "The Phantom Tollbooth," the little-seen Chuck Jones film where the protagonist also finds himself in a world of abstract concepts.
(Not to mention Robert Clampett's "Porky in Wackyland.")
It's harder on the audience. Everyone knows the rules of physics in the real world, what are they in a surrealistic land of dreams?
And the concept of the emotions being the stars. Fox did this with "Herman's Head" some years ago, and no one called that genius.
See it, but your kids might get a little restless.
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